Sunday, January 22, 2012

Project "Shimmering Water"

Here I would like to introduce my recital & recording project, which I will present after the Summer 2012.

CD Series:

1. « Reflet dans l’eau »
(Recording in March 2012 in Japan)
C.Debussy/ Deux Arabesques, Images I&II, Estampes, Ondine, La Cathédrale engloutie, Clair de Lune, L’Isle Joyeuse

2.  «
Jeux d’eau »
Liszt/ Au Lac de Wallenstadt, Au bord d’une Source, Les Jeux d’eau à la Villa d’Este
Ravel/ Jeux d’eau
Griffes / The Fountains of Acqua Paola, The Lake at Evening
Kaski / Die Quellennymphe
Berio/ Wasserklavier
Ichiyanagi/ Inexhaustible Fountain
etc.

3. « Auf dem Wasser zu singen »

Bizet/ Chants du Rhin
Schubert=Liszt/ Liebesbotschaft, Forelle, Wohin, Auf dem Wasser zu singen
Chopin / Barcarolle Op.60
Liadov / Barcarolle Op.44
Fauré / Barcarolle No.1
Mendelssohn/ The Brook,  Venezianisches Gondellied II, On the seashore from Lieder ohne Worte
Kaski / Night by the Sea
J.Straus=Schulz-Evler/ Concert Arabesques „An der schönen blauen Donau“
etc.

4. « Suggestions »
 

Schubert/ Impromptu Op.90 No.3
Ravel/ Sonatine
Scriabin/ Sonate No.2 « Fantasie »
Lutslawski/ Sonata
Rachmaninoff/ Prelude Op.32-5
etc.

The following pieces that I have already recorded commercially may be substitutions in concerts:
Albeniz/ El Puerto, Almeria from Iberia 2nd book
Takemitsu/ Rain Tree Sketch I & II

The following composers have confirmed that they will write a new piece for this project:

Christopher Si (Canada, 1982~)
Francesco Milita (Italy, 1967~)
Thierry Huillet (France, 1961~)
Peter Klatzow (South Africa, 1945~)

These will be added to the project as they become available.

Concept:
Human beings cannot live without water and light and we consume both of these every day as a matter of course. When water shimmers in sunshine, in moonlight or in other kinds of light, it turns into a fantastic phenomenon, which captures human hearts and has inspired many composers to create beautiful music. Interestingly, much of this “watery music” has been written for the solo piano.

The first Chinese character in my first name, “ko=洸”, suggests light on water. I am much attached to shimmering water and I consider this theme important in my identity. I want to record and perform this program, “Shimmering Water”, in various countries and cities, preferably near water or beside water.

Collaboration, Supports:
I also would like to collaborate with other artists on this theme, such as involving a stage artist, light artist, photographer, painter and others. I hope to keep this project growing through further recordings of other pieces on the same theme, including chamber music.

As I proceed with this project, I will appreciate contacts from others who may be interested in participating, including concert organizers, international CD distributors, sponsors and collaborators. In addition, I will be happy to receive any suggestions or ideas for this project by email here.

Monday, January 9, 2012

Radio Broadcast (Radio Nacional de España)

Radio Nacional de España (Radio Clásica) has broadcast my premiere performance of "Die Fackel im Ohr" by Francesco Milita (concert on August 21st, 2010 in Santander), which you can hear in the link here.

I have a very special memory of this concert, because I had to prepare this huge work (98 pages, 53 minutes long) within 6 weeks!! But it was a great challenge for me, as the composition has an interesting conception and is full of dramas and poetic moments, suggesting the story of Elias Canetti. You can read the conception in the link here.

The music starts at 17'00, and my favorite is the fourth piece "Berceuse" (21'06-25'00).  Hope you'll enjoy listening to it!

Thursday, December 29, 2011

Before the New Year arrives...

Hi everyone. I'm sorry I haven't updated my blog for a long time!

I had quite busy schedule from the beginning of October until middle December.
Well, I had so many wonderful experiences in each venue and would have loved to share them here, but I didn't have enough time and energy. (when it comes to write something, i'm quite slow...(-_-;))
After I came back home 10 days ago, I've been just lazy, and now I feel so guilty, so I will try to write my important experiences of the last three months one by one, maybe a month by an article. Please be patient!

Also I would like to apologize that there was a major problem with my official website early this month that some people couldn't access at all. My web master put the state back to the previous one, even before I updated many sections of the site. So it shows some old information and many things should be updated again. We will try to do it as soon as possible.

In Japan (maybe as many other countries), we have a tradition to clean the whole house before the end of the year in order to welcome the pleasant new year. Although I'm living in Germany, I try to follow the Japanese tradition as well.

In the meantime, I wish you all happy holidays and a wonderful new year 2012, may it be peaceful, successful and full of beautiful music and love! d(^_^d)

yours,
Kotaro

P.S. Here are some new video clips of my piano playing on youtube. Enjoy!
(extracts of my recital "Etudes Li..." on November 16th at the Hamarikyu Asahi Hall in Tokyo)

Liszt : La Campanella
Liszt : La Leggierezza
Liszt : Waldesrauschen
Liszt : Feux Follets
Liapounov : Rondo des Sylphes

Thursday, November 24, 2011

24 hours in Ishinomaki

On November 17th, the day after my recital in Tokyo, I visited Ishinomaki, where the Tsunami occurred last March. My former teacher at the high school in Tokyo, Mr.Matsuda, was helping the victims in Ishinomaki as a volunteer, and got involved with the Minato primary school, which was used as a place of refuge for several months. Because the school was occupied by refugees and needed some repairs, the school rented some rooms in a junior high school of the same town and reopened. Many of the children and the teachers lost their relatives, friends or their houses, so they needed good mental care. Mr. Matsuda founded an organization to support the school and the children until they move back to its original place.
As he loves music, he asked me to come over to perform for the school children and particiapte in the school for a whole day.

When I arrived in Ishinomaki about 4pm, it was still slightly light. The area around the station seemed pretty much recovered, and I could barely tell that the Tsunami had reached there. However, when Mr.Matsuda took me to the harbour area, the view turned miserable and sad. According to Mr.Matsuda some of the houses still remain completely broken, because all the family members died after the Tsunami, and there is no successor. Many of the factories were also untouched or under the reconstruction. I froze speechless when I saw the beautiful sunset on the harbour and the mountains of tiles, stones and broken cars along the coast.
On the way to the apartment, where I was supposed to sleep, we saw a music store and dropped by. They had also had big damage from the Tsunami and had reopened in August. When Mr.Matsuda told the owner that I was a pianist, he welcomed me warmly and showed me the piano, which was reconstructed after being completely covered by the dirt of the Tsunami. As he insisted, I played on it. („Liebestraum (Love's dream)“ by Liszt) Surprisingly the piano had a good action and a beautiful deep sound! While I was playing, I felt the solid vitality and the soul of the instrument (as if the piano was talking to me...), so tears came into my eyes. In fact all those present were crying at the end.


Then the owner showed me the photos of the piano since Tsunami. More than 20 people (coming from various places of Japan) volunteered for the reconstruction, and it took 6 months to finish it. When it's done, they did a concert with the piano in the Minato primary school, and apparently it became the center of interest in the town, and some media (including TV) reported it. Mr.Matsuda also told me lots of beautiful stories about pianos. When he found a piano under the supplies boxes in the Minato school, he rescued the instrument and played it after the work. The refugees often gathered around piano and enjoyed playing and listening to piano music. Then people from outside also came to play on the piano, as their pianos were not in good shape. Also Mr. Matsuda saw some upright pianos standing on the street in the stricken area short after the Tsunami, while the houses and most of the furniture were destroyed. (Indeed, the frame of piano is quite strong!) So „piano“ has been a special meaning to the local people in Ishinomaki.

 
The next day, I got up at 6:30 am and had a breakfast with instant bread and coffee. There was no warm water, so I heated cold water and wiped my body. Then we went to Minato primary school and met some children, who were getting on the bus.
I usually like children and enjoy talking and playing with them, but this time, I didn't know how I could behave with them, so I was just quiet in the bus. But a boy of the senior class (12 years old) came and sat next to me. And he looked at my name tag and asked me „are you from Tokyo?“, then we started chatting. I told him that I was going to play piano at the 4th period, he said „I can also play piano.“ then he continued „I like Rhapsody in Blue, which was used in the „Nodame Cantabile“ (very popular manga -TV drama series-film in Japan, worth checking out!), and practicing for a while, but the music score was carried away by Tsunami...“ Then I lost my words for a second... if I had the same situation when I was 12 years old and lost all my music, I could have been as sad as I lost my relatives and friends. But the boy continued talking calmly.

After we arrived the school, Mr.Matsuda showed me around in the building, and we attended the morning meeting in the gymnasium. There were about 20 people in each Grade, and I was told to attend the senior class, so I was sitting at the end of the line. After the principal introduced me, some children talked to me in a friendly way, then I soon opened up to them. At the end of the meeting, they had a traditional event and did skipping rope and competed between Grades. Believe it or not, I did it, too! (as I belonged to the athletic club in the High school, I have confidence in my legs ;o)) We (6th Grade) lost to the 5th Grade, but I didn't let down my team when my turn came and had much fun!

The classes were held normally. Mr.Matsuda told me that my job was to support children who don't follow the lesson well. I tried to do my best, but it turned out toward the end that I was just talking with a few children on various subjects! But there were things I learnt from that moment as well.
None of the children told me about their sad background, stories of Tsunami. They were very curious about my life in Germany and as a pianist. Later on Mr.Matsuda said „they just don't want to talk about sad things. It means that their wound is that deep...“.

After rehearsing one hour I gave a small concert in the music room. Although I had given a program to Mr. Matsuda, I changed it while I was rehearsing. So I started with by Bach as a prayer to the victims of Tsunami and the peace, then Chopin's , Liszt , Mizokami , Poulenc , and played short version of by Gershwin, as the story of the boy gave me a strong impression and I wanted to give him a little present.
I talked about the composers, the pieces, my episodes, etc, and had warm applause and gratitude from the audience. It was so cute when the kids went out the room, doing „high five“ with me and said „bye bye“ with a big smile!

I had a lunch with the first Grade kids, and had a joyful conversation with them. I was asked my age and said „guess how old I am.“, then received the answers between „20“ and „38“!!
After attending two classes in the afternoon, I saw the children off in front of the school and accomplished my „mission“. All the teachers thanked me cordially, and I left Ishinomaki around 5pm.

In contrast to the night before, I had rather much positive emotion on that day. I really appreciated all the efforts of the teachers and the support members gave. I shall never forget the cheerful laughter and the twinkling eyes of the children and wish them all the best for their life.

Monday, October 31, 2011

To the 200th anniversary of F.Liszt

This month I devoted myself to playing Liszt’s music and thinking of him as he was born in October, 200 years ago. I was glad to perform in France and Germany, where Liszt lived at various times and achieved so much as a musician.

It was so nice to be back in Angoulême, where I played in 2005 and 2006. The official pianos of the festival have been  provided and maintained by Mr.Gérard Fauvin. He looks and talks like a comedian (what a joyful character he's got!), and it's been always a pleasure to work with him.  He kindly wrote an article about me and my recital in his blog (in French).

I was also honored to play at the Hungarian Institut in Paris on the occasion of the Liszt anniversary, and even more honored to replace Mr.Georg Sava (a
Romanian pianist and professor at the Berlin Hans Eisler Music School) for the special concert on the birthday of Liszt in the Schloss Ribbeck!
Ribbeck is about 50km away from Berlin, and the concert was scheduled at 4pm, so I decided to make a day trip with a couple of friends by car. It was a lovely weather, and we enjoyed being in the beautiful and peaceful place!

Schloss Ribbeck


a tree colored by the sunshine, in front of the castle

On the 27th, I visited one of the most important cities for Liszt, Weimar, for the first time. I arrived Weimar at 1pm and took a train at 9:30 pm, so it was quite hectic but meaningful to me.

First I went to VillaAltenburg, where Liszt and Carolyne von Wittgenstein lived together between 1848 and 1860, and Liszt composed a number of his major works. It is also the place, where the « unreasonable agreement » was made between Carolyne and her husband, Russian officier, Prince Nicolas von Wittgenstein in 1852. (In my opinion, this occurrence must have provoked Liszt to compose « Ab Irato »)
It was inspiring to be in the room, where Liszt used to work and play the piano.  They were also exhibiting some valuable documents about Liszt such as manuscripts of his sketches. The Villa was open until 31st of October, so I was lucky to be there in time!

Then I visited Schlossmuseum, Schiller-Museum and Liszt Haus. The Shlossmuseum had an exhibition of antique pianos from 18th, 19th century) and the Schiller Museum had a wonderful exhibition of Liszt. I thought that by visiting this exhibition anyone could understand Liszt's life and appreciate how great he was . I was specially fascinated to see all the gifts that Liszt was offered after giving concerts. As I had read the stories in his biography, I recognized some of them (medals, jewelry, often sculptures of Liszt's face!).

Taken in front of the Schlossmuseum
Liszt house was a revelation to me; the size is even less than half of Altenburg, and apparently he used only the upper floor (he lived partly between 1869 and 1886). Everything seemed so simple and it confirmed that Liszt was a humble man. There was his piano (Bechstein), and they do occasionally concerts, but sadly I was not allowed to play on it. 

I then ran to the Musikhochschule to hear the second round of the Liszt Piano Competition. I heard three pianists who played different programs and showed individual interpretation of works by Liszt, Haydn and Michael Jarrell (commissioned piece).

I was fulfilled with my day and took the train, then I realized I made a big mistake...

I left the big poster of Liszt portrait in a Turkish fast food restaurant! 

 (- -') sigh...